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now comes this insane roar and CUT TO SAMUEL with his rifle, as he climbs higher into his tree. CUT TO PATTERSON in the next tree, climbing higher, until he's fifteen feet up. CUT TO THE DARKNESS, on the ground, circling the trunk of Patterson's tree, raging with frustration. CUT TO PATTERSON, exhausted but it's okay now, he's safe, and as he looks across at the next tree not far away where Samuel is- Page 66 ABC Amber Palm Converter, http://www.processtext.com/abcpalm.html SAMUEL (embarrassed) Afraid of lions. CUT TO PATTERSON. PATTERSON It's all right, Samuel- we all get hit- (Now he shuts up fast and-) CUT TO THE DARKNESS, as it does this incredible thing- it starts to climb the tree after Patterson. Lions are cats and when they want to climb, up they go and that's what The Darkness is doing now, going up and CUT TO PATTERSON, and it's terrifying- he reaches for the branch above, climbing higher and CUT TO THE DARKNESS, climbing higher too and the tree is sturdy but there is a four hundred pound thing rocking it now and CUT TO PATTERSON, going still higher but the branches are getting thinner and the tree is shaking, and he could fall- CUT TO THE DARKNESS, climbing on, nothing can stop it- CUT TO PATTERSON AND THE DARKNESS, together in the tree, and there's no further Patterson can go and it's harder for The Darkness too, but slowly it moves in and CUT TO PATTERSON, calling out- PATTERSON Samuel! (And he gestures for the rifle and the instant he does-) CUT TO SAMUEL, and he takes the rifle between his two hands and CUT TO THE DARKNESS, steadily moving in and CUT TO SAMUEL, tossing the rifle with great care and Patterson's less than fifteen feet away and CUT TO PATTERSON, hands out to catch it and CUT TO THE RIFLE in mid-air and CUT TO PATTERSON, both hands ready and CUT TO THE RIFLE as it strikes a tree branch, spins away to the ground. CUT TO THE DARKNESS, almost on Patterson now and CUT TO PATTERSON, suddenly leaping out of the tree, and yes it's a long way and sure it's going to damage him but sometimes there aren't a lot of choices in this world and CUT TO SAMUEL, staring as Patterson falls and CUT TO PATTERSON, crashing hard to earth, stunned, hurt, ribs broken, leg broken and CUT TO Page 67 ABC Amber Palm Converter, http://www.processtext.com/abcpalm.html THE DARKNESS, and it's so big it's hard for it to get room to turn but it does and CUT TO PATTERSON crawling for the rifle, and he's in terrible pain but he reaches the weapon, grabs for it and CUT TO THE DARKNESS, skittering down the tree and as it reaches the ground CUT TO PATTERSON, forcing himself to his feet and CUT TO THE DARKNESS, a dozen feet away as with a roar it starts its charge. CUT TO PATTERSON, aims, fires and CUT TO THE DARKNESS, hit again and down it goes again but up it comes again and CUT TO PATTERSON, firing the final shot and CUT TO THE DARKNESS, hit again and it has to stop, it just has to- -but it doesn't. It roars and roars and moves slowly toward Patterson. CUT TO PATTERSON; all bullets gone, no place to hide. CUT TO THE DARKNESS. Still moving forward. CUT TO PATTERSON. He takes a step backward, falls backwards over a branch, lands hard and CUT TO THE DARKNESS, framed between Patterson's legs. Six feet away, now four, now- CUT TO PATTERSON, helpless on the ground. CUT TO THE DARKNESS, and the eyes glow- -a branch is on the ground in front of it- it buries its huge teeth into the branch- -now a long dying sigh... and it goes to the ground. CUT TO PATTERSON. Can't breathe. CUT TO THE DARKNESS, dead, its teeth still buried in the tree branch. CUT TO PATTERSON. CLOSE UP. And suddenly he just empties and tears pour down his face and he begins to cry out loud, his body wracked with sobs. He manages to get to his knees, moves next to the animal- CUT TO PATTERSON AND THE DARKNESS. Just the sound of Patterson's tears... HOLD. KEEP HOLDING. CAMERA BEGINS TO RISE- -WE ARE LOOKING AT THE BRIDGE NOW- AND IT'S FINISHED! -hundreds of people are watching as the first train goes oer it- -Samuel is there- lighting up the world with his smile- -and Patterson's there, too. He stands with Helena, his young son in his arms. Everybody smiles, everybody waves, the train goes triumphantly by. CUT TO Page 68 ABC Amber Palm Converter, http://www.processtext.com/abcpalm.html PATTERSON. He looks wonderful again, vibrant and young. Watching him, you might think he hadn't been through the nightmare as he stands there, holding the boy tightly. But with his other hand, he fingers the lion claw necklace... HOLD ON PATTERSON. Now slowly dissolve to an African evening. Animals stretch from one horizon to the other. SAMUEL VOICE (over) Here we still wonder about them. How did they escape for nine months? And kill 135 men? And stop the railroad? (beat) And were they only lions? (beat) If you want to decide for yourself, you must go to America. They are at the Field Museum in Chicago, and even now, after they have been dead a century, if you dare to lock eyes with them... (beat) ...you will be afraid. In the distance, the animals continue to move. SAMUEL VOICE (over) Sleep well. HOLD ON THE ANIMALS. They seem to go on forever... FINAL FADE OUT. THE END Page 69
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Cytat
Długi język ma krótkie nogi. Krzysztof Mętrak Historia kroczy dziwnymi grogami. Grecy uczyli się od Trojan, uciekinierzy z Troi założyli Rzym, a Rzymianie podbili Grecję, po to jednak, by przejąć jej kulturę. Erik Durschmied A cruce salus - z krzyża (pochodzi) zbawienie. A ten zwycięzcą, kto drugim da / Najwięcej światła od siebie! Adam Asnyk, Dzisiejszym idealistom Ja błędy popełniam nieustannie, ale uważam, że to jest nieuniknione i nie ma co się wobec tego napinać i kontrolować, bo przestanę być normalnym człowiekiem i ze spontanicznej osoby zmienię się w poprawną nauczycielkę. Jeżeli mam uczyć dalej, to pod warunkiem, że będę sobą, ze swoimi wszystkimi głupotami i mądrościami, wadami i zaletami. s. 87 Zofia Kucówna - Zdarzenia potoczne |
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